According to reports, Kanye West, rap star and most recent addition to the Kardashian clan, has been sued for ripping off the beats of a Hungarian composer. The complaint, filed by Hungarian composer Gabor Presser in the U.S. District Court for the Southern District of New York, alleges that West used a portion of his band Omega’s song “Gyöngyhajú lány” (recorded way, way back in 1969) in the song “New Slaves,” released in 2013 on the Yeezus album. The Omega song is allegedly “one of the most beloved pop songs ever in Hungary and across Eastern Europe.” In other words, Omega is basically the Beatles. Or, something like that.
Now, we understand if you have some doubts as to how a rap mogul the likes of Kanye West could come across a 1969 Hungarian pop tune. Whether it be through iTunes or an excursion into the darkest corners of the internet, West allegedly was aware of the song and even asked Presser for permission to use it. According to Presser, West’s lawyer emailed him soon after the marketing of New Slaves began, indicating that West “would like to work out a deal with you as soon as possible.” Presser allegedly was given 24 hours to respond. Presser agreed in principle to the use of the song on the condition that a formal deal follow. However, a formal agreement allegedly never came to fruition. West allegedly sent Prosser $10,000 as an advance for the audio track, but Prosser never cashed the check. Now, he is seeking $2.5 million in damages.
We here at Abnormal Use have no idea whether the allegations of the suit have any merit. We have listened to the two tracks (available here) and, admittedly, can at least hear some resemblance. West has apparently at least acknowledged some resemblance and copyright issues by virtue of the alleged offer to work out a deal. If true, what is curious is whether West intentionally borrowed from the 1969 Hungarian track or created “New Slaves” independently, discovered the resemblance, and tried to hedge off any issues, knowing that musicians are no strangers to copyright lawsuits. Presser apparently thinks it is the former more so than the latter. He alleges that West “knowingly and intentionally misappropriated plaintiff’s composition,” and “after his theft was discovered, [West] refused to deal fairly with plaintiff.”
Is this a case of coincidence or a musician digging through the depths of the music library of Eastern Europe to make music? Take a lesson to the songs, and we will let you be the judge.